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Published 16:47 4 Nov 2021 GMT

Daniel Radcliffe in Harry Potter and the Philosopher's Stone (Photo: Warner Bros)[/caption]
It turned out to be a potent mix. Harry Potter and the Philosopher's Stone was a box office success, but a critical success also, showing how J.K. Rowling's novels had found a way to translate this more subtle and nuanced style of fantasy to the big screen.
It wasn't all genteel. The film also contains some of the most suspenseful scenes ever in a kid's film, without ever needing to rely on gratuitous violence. The fight for the Philosopher's Stone - we won't relive it here in case you decide to re-watch - involving the giant chess kit and some of the best child acting from across the franchise, particularly by Emma Watson, is an unusual and intelligent way to reimagine what the climax of a fantasy film looks like.
Being about three kids and set in the modern day, in a world which looked partially recognisable, many millennials like me grew up intensely relating to Harry, Ron and Hermione. They were alternative versions of ourselves, who had slightly more fun. These days, the film has become a comfort watch. As well as the magic on screen, it makes us remember how innocent our lives where when we were kids back in 2001.
Twenty years on, there's still no treat better than kicking back in pyjamas and readying my wand, ready to board the Hogwarts Express for another journey to Potter's wonderful world.
Related links:
A Harry Potter TV show is in development
Philosopher's Stone first edition sells for £68,000
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