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Published 09:40 8 Aug 2026 BST
Updated 05:41 8 Aug 2026 BST

A man at a DJ set does a double take. “I’ve not seen one of these in years,” he remarks, watching someone squint through the tiny viewfinder of a compact camera. Fifteen years after most of us shoved them in a drawer, digital cameras are having a moment.
Digital cameras — along with wired earphones, iPods and early MP3 players — are quietly staging a comeback, driven by a younger generation chasing something that feels less polished and more real than the smartphone in their pocket. It is nostalgia, yes, but it is also a small rebellion against the flawless, filtered image that a decade of front-facing cameras and one-tap editing has made the default.
The appeal is partly practical and partly emotional. A compact digital camera does one thing, forces you to think about the shot, and hands back an image that has not been quietly “improved” by an algorithm before you have even seen it. For a generation that has never known a photo without a filter, that friction is the point. Globally, there are now some 42 million active film camera users, more than a third of them aged 18 to 30 and largely influenced by social media trends, according to a market research report published last year — a sign that the pull towards older formats is a movement rather than a passing fad.
It is not just cameras. The tangle of a headphone cable, once the very thing wireless earbuds promised to banish, is suddenly part of the charm. Sales of iPods and Walkman portable players in the UK on eBay rose by nearly 50 per cent in 2025, the marketplace said, while searches for iPod minis on the platform climbed 48 per cent over the past year. A dedicated music player with no notifications, no apps and a physical click-wheel is, for some, a small act of digital hygiene — a way to listen to an album without the phone in your hand pulling you elsewhere.
For Lily Redman, a 26-year-old content creator from South Wales, the appeal is in the imperfection. Her digital camera “capture[s] a quality that my phone just can’t replicate,” she says, finding her phone’s flash “grainy and too high definition” by comparison. “I think people are looking for a bit of grit or something that feels a bit more real,” she adds. It is a mindset that also explains the vogue for deliberately low-exposure phone photos — and, for the fully committed, a reason to dust off a pair of old noise-cancelling headphones or wired earphones too.
Back at the DJ set, the verdict is in: there is something to that grainy, slightly-off digital look a phone cannot quite match. Whether the trend lasts or fizzles like a passing filter, the message from the dancefloor is clear — sometimes a little imperfection feels more real, as BBC News found.
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