Search icon

Entertainment

09th Oct 2017

Se7en is on TV later so here are seven reasons why it’s an absolute classic

“Honestly, have you ever seen anything like this?”

Paul Moore

“Honestly, have you ever seen anything like this?”

There’s no denying that David Fincher’s seminal ’95 occult thriller Se7en had an impact on the film industry.

The story about detectives Mills and Somerset, Brad Pitt and Morgan Freeman, and their search for the psychotic murderer John Doe is a modern day classic and given the fact that it’s on TV later, we decided to reopen the grizzly case.

Consider this your spoiler alert warning but the seven deadly sins have never looked this deadly before.

1) The script

Screenwriter Andrew Kevin Walker used a particularly terrible time in his own personal life and managed to turn it into one of the best cat and mouse screenplays ever.

The scribe was primarily influenced by an unhappy time living in New York City working in Tower Records, all the while still trying to make it in the film industry. He channelled all of his negativity, frustration, and disillusion with the world into something magnificent.

Just like The Exorcist or The Omen before it, Walker heavily relied on the Bible for his villainous inspiration but he cleverly borrowed from the gothic classics ‘Dante’s Inferno’ and John Milton’s ‘Paradise Lost’ also.

The script was also very flexible as seen by the fact that during the film shoot, Brad Pitt broke his arm which led to the injury being written into the script. The film is darker than a pint of Guinness but it’s easy to forget that it does have some genuine light touches as well.

For example, the first exchange between Mills and Somerset has this classic line, “Look. It’d be great for me if we didn’t start out… kicking each other in the balls.”

John Doe even gets a funny moment when Kevin Spacey dryly says that he didn’t kill the dog found lying on the road in the desert.

The director paid the Se7en writer the ultimate compliment in Fight Club, he named the three detectives Andrew, Kevin and Walker as a tribute to Se7en’s screenwriter.

https://www.youtube.com/watch?v=rS4EJGh9mIg

Clip via – mudx0rz

2) The credits sequences

Fincher wanted a shaky, uneven and dirty looking opening credits sequence because he felt that it would fit closer to the killer John Doe’s mindset.

Apparently Fincher also felt that these credits also gave the audience an early indication of just how ugly the film would get. He was completely right.

The opening credits (soundtracked by Nine Inch Nails’ Trent Reznor) are a grimy, shocking and ominous introduction for what’s in store.

Kudos on the decision for omitting Kevin Spacey’s name also because the director wanted audiences to be completely surprised by the killer’s identity.

https://www.youtube.com/watch?v=OEq-4fua3lM

Clip via – Vaslav Tchitcherine

3) The death scenes

No amount of words can replicate the original shock of seeing the following scene on the big screen for the first time.

To this day, it remains of the greatest jump scares of all-time.

Clip via – MOVIECLIPS

4) The acting

Did you know that the role of Mills was originally offered to Denzel Washington who turned it down because he considered the script to be “too dark and evil”?

Pitt jumped at the chance though, turning down a role in Apollo 13 just so he could do the movie, such was his belief in the material. Ironic that Denzel would later go down this route with The Bone Collector and Fallen.

Al Pacino was considered for the role of Somerset but he opted to star in City Hall instead. Pitt and Freeman work so brilliantly together on-screen that it’s hard to imagine anyone else in the roles.

The two characters are complete polar opposites; temperamental and calm, edgy and composed, rookie and experienced detectivesthat are paired up to solve the case of their respective careers.

Clip via – MOVIECLIPS

5) The director

The film was originally offered to David Cronenberg and also to Pan’s Labyrinth director Guillermo Del Toro who turned it down because he didn’t subscribe to the film’s dark vision of the world.

It may be hard to imagine but David Fincher was under immense pressure coming into the making of Se7en.

His first film Alien 3 was a critical and commercial flop, mainly due to studio interference, and despite his impressive C.V of work in commercials and music videos, the knives were definitely out.

Fincher silenced everyone and has since gone on to become one of the most talented and important directors in the industry having made The Game, Fight Club, Zodiac and The Social Network and Gone Girl amongst others.

It’s the small touches in Se7en that make it so magnificent like Brad Pitt’s torch running out of batteries, the ominous lighting in John Doe’s apartment, the level of intricate and disturbing detail in every crime scene or the decision to shoot the entire film in the rain.

Most importantly, Fincher managed to get some amazing performances from his actors.

Clip via – Vlkoslak B

6) The ending

Executives were originally completely against the ending of the movie because they felt that it was too negative. To their credit, Brad Pitt and Morgan Freeman refused to promote the film if the corporate suits changed it.

The ending is one of cinemas greatest climaxes for one simple reason, the bad guy wins.

It’s a mind fuck that stays with you.

Clip via – isochronous

If you prefer a more humorous ending then this Morgan Freeman narration of the moment when he opens the box is hilarious.

7) It’s impact/legacy

Before Se7en was released there was a time when films were filled with imagery of sunshine, rainbows and puppies. Okay, maybe it wasn’t that bad but David Fincher’s seminal film changed the aesthetic of Hollywood thrillers.

A dark, gloomy and gothic look became cool all of a sudden as the serial killer genre received a renewed lease of life. Ironic, eh?

Kiss The Girls, Frailty, The Bone Collector, The Devil’s Advocate, From Hell, Fallen, 8MM and End of Days all stole something from Fincher’s classic.

None of them bettered it though, no one can. It even looks great as an 8-bit film.

ITV4 at 10pm tonight.